Katie McGrath & Eoin Macken from Merlin Interview Dialogue

May 4, 2015 - Eoin Macken (Merlin, The Night Shift) Interview

The Key to Onscreen Success: Get Behind the Camera

By Jack Smart | Posted May 4, 2015, 11 a.m.

• acting advice
• demo reels
• directing
• Eoin Macken
• film
• interview
• NBC
• scripted programming
• television
• The Night Shift

Photo Source: Gabe Sachs

Eoin Macken was in the middle of directing a movie atop a windswept cliff when NBC’s “The Night Shift” asked him for an audition video. Surrounded by friends, colleagues, and top-notch film equipment, he figured they could take an additional 10 minutes at the end of the day to shoot a quick scene. After promising everyone drinks were on him that night, he says, “We just shot this audition tape on the top of a cliff. And it looked quite cool!”
Having booked the lead role of army vet TC Callahan on the gripping medical drama, now wrapping up shooting its second season, Macken clearly believes in the power of the self-taped audition. Sure, not everyone has access to impeccable light and sound amid sweeping vistas, but investing in something that looks well-executed is crucial. “If you have a good camera, it makes it look a bit more professional, and someone will take the time to really look at it,” he says, before adding with emphasis, “Make sure the sound is good.”
The actor-director knows what he’s talking about, having resolved early on to immerse himself in every aspect of the filmmaking process. Initially a model for Abercrombie & Fitch, he dabbled in several different performance styles, including improv, the Meisner technique, and training under legendary acting coach Vincent Chase. Macken shot his first short film with classmates in L.A., a project that ultimately became a full-length feature and a major career highlight.
“When you’re first starting out acting, you’re just doing a bit part in a film so it’s actually hard to learn about the arc of a character,” Macken says. Teaming up with fellow creatives, he decided to start writing, directing, and starring in his own shorts to assemble a dynamic demo reel. “Part of the reason I made those films was because I wanted to play different characters. And I learned, from watching myself, that I thought I was good and I wasn’t.”
It’s that act of watching that has turned Macken into such a capable screen star. By editing footage of himself, he began to recognize what works on camera and what doesn’t, a technique he recommends for other actors “100 percent.” Being able to identify specific foibles or tics onscreen allows actors to embody different characters more fully. “If you can make [a film] for $500, $200, you can edit yourself and learn.” More conscious performers, he says, become more assertive performers.
Plus, a working knowledge of behind-the-camera intricacies enables Macken to loosen up on projects in which he’s only acting. If a director on “The Night Shift” asks for multiple takes, he explains, there’s no freezing up or fretting over whether he botched it. “When you’re aware of all the other things going on—the sound, the camera, [the fact that] they’re trying to get a certain composition, a moment from a scene because it works for pacing the character or story—you realize it’s not all about you.”
It’s natural, of course, for actors to think it’s all about them; that’s part of the job description. But experience on the other side of the lens can only enhance one’s craft. “I know people say they don’t want to watch themselves on camera, and that’s fine,” Macken says. But, as he points out, would that clifftop audition tape have booked him the job if he’d been reluctant to examine it? “I [don’t] see why you’d want to be an actor if you didn’t want to understand filmmaking.”
Inspired by this post? Check out our television audition listings!


Source: Backstage

November 25, 2014 - GOSS - NEW EOIN Macken (Merlin) Interview for The Wedding Invitation

 

Movie | Photos | Nov 25, 2014 | 06:11

EXCLUSIVE! Irish star Eoin Macken turns into a 'rockstar' for new comedy movie

The Dublin actor has turned his hand to music

It seems like there really is nothing Dublin actor Eoin Macken can’t do.

Not only did he land the lead in US series The Night Shift and release his debut novel this year, he’s now turning his talents to music.

In exclusive pics obtained by Goss.ie Eoin, 31, can be seen rocking out in his new movie The Wedding Invitation.

Rockstar: Eoin sings and plays the guitar in the new US movie

Eoin stars as the hunky love interest in the female led cast.

Speaking to Goss.ie, director and star of the movie Rainy Kerwin said Eoin was fantastic on set.

“Eoin was both figuratively and literally a rockstar in The Wedding Invitation,” she said.

Musician: Eoin is showing off his other talents

“He was all sweaty and sexy and manly on stage. He made my job of ‘falling in love with him’ pretty damn easy.”

The director previously revealed she believes Eoin will be the next George Clooney.

November 26, 2012 - DigitalSpy - Eoin Macken & Alexander Vlahos Interview on Merlin being cancelled

'Merlin' stars Eoin Macken, Alexander Vlahos on series end

Published Nov 26 2012, 12:38pm EST  |  By Morgan Jeffery

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Merlin stars Eoin Macken and Alexander Vlahos have responded to news of the show ending.

Macken wrote on Twitter that he had "loved" being a part of the BBC fantasy drama, though appeared to imply that he was not entirely satisfied with the most recent episodes.

© BBC / Shine

"For the [people] sad about Merlin, it's true - this is the end of it," the Irish actor - who plays Sir Gwaine - wrote. "Sorry about that... if I'd my way the knights would be flying superheroes."

However, when a fan suggested that the fifth and final series had "failed", Macken replied: "Well, I loved Merlin and everything about it and everybody... BUT I agree with what u just said about this series."

> 'Merlin' Colin Morgan on series end: 'It's run its natural course'
> 'Merlin': Final episode images released by BBC

© BBC / Shine

Fellow Merlin star Alexander Vlahos - who joined the show this year as Mordred - also used Twitter to comment on the end of the series.

"To those mourning the loss of Merlin from our screens, I guarantee the last 5 eps are something special," Vlahos said. "Proud to have been a part of it."

Merlin continues this Saturday (December 1) at 8pm on BBC One with latest episode 'With All My Heart'.

December 13, 2012 - Gelach LJ - Eoin Macken Interview - Cold and Night Shift

AtAGlance: Eoin Macken Chats Cold

Eoin Macken’s name may not be familiar to you, but his face could be. Hailing from Dublin, Ireland, Eoin was selected at the ripe age of 19 as the Face of Abercrombie & Fitch, a well-known American clothing retailer. Eoin modeled successfully for A&F as well as other high end bookings before moving on to become a talented actor, writer, producer, director, and cinematographer.

I first learned of Eoin’s talents on the BBC Series Merlin where he brought to life King Arthur’s lovable knight, Sir Gwaine. It was on the set of Merlin where Eoin met his good friend Tom Hopper. Their friendship led them down a road of creativity from which an Independent Feature Film was created entitled Cold. If Cold sounds familiar, it’s because several Features in At a Glance have been devoted to different aspects of the project. I posted an interview with Alan Rickard from the band Evora, whose music was featured in the film. Leeloo reviewed Evora’s CD release as well as providing coverage for us from both Cold Cons, including a review of the film when it premiered at the second Con (conventions celebrating the film with panels and autograph/photograph sessions.)

Now Eoin is about to grace America’s shores once more when he comes to our small screens as Dr. TC Callahan in the new NBC Series The Night Shift. With a number of other projects under his belt, you can imagine Eoin is a busy guy. So after much patience on my part (much, much patience, lol..I wanted this interview and wasn’t going to give up!), Eoin finally had opportunity to squeeze me into his schedule and chat a bit.

First Eoin, thanks so much for your time, I know that your life has been a whirlwind lately. Maybe we should start off with a little of your background…how early in life did you realize you were interested in acting and did interest in the production side come later or was it just the entire industry from the get go?

I had no interest in acting or film making until I was in college. I was too shy to do any school plays apart being background on some musicals, which I did because they brought in girls’ schools to participate and I was in an all-boys school….so logically being involved made sense! It was only after I began modeling and then trained in Meisner and then began taking photographs that I tentatively became interested and then full blown obsessed when I was 21. I had previously wanted to be a zoologist, marine biologist or a vet.

I’d like to discuss the process of Cold, so for those who are not familiar with your journey, can you share a little about how the idea came around?

Quite simply I just want to make films and stories, as a kid I always wrote and English was my best subject in school so I had submerged dreams of writing which film making allowed me to cultivate, so I always want to create stories…Tom told me he wanted to play a more nuanced character than he had before and I wanted to act with him on more challenging material so I wrote Cold for him. We both loved the script and I simply decided to make it on our break week from filming (Merlin).

How long did it take you to write the screenplay, and did it evolve once you started filming?

I wrote it on the tube and to and from work (on set at Merlin) for about 2-3 months and then it was simply finished. I wrote some additional scenes after we shot the first block (in August) to give some additional layers to some characters, but not that much. And when we filmed we had no time to let it evolve, we followed it very stringently as time was too tight to deviate.

You have a degree in Psychology…do you think this aids you in your writing or does it present more of a distraction when it comes to character development and motivation?

I hope it aids! I don’t think about it too literally, I guess automatically it makes me consider in more detail the little things.

When developing characters, most writers seem to draw from influences around them. Did you base any of Cold’s characters on any specific individuals from your experiences?

No, I just made it up. The story was influenced by what I was reading at the time which was East of Eden and Paris, Texas, purely coincidental, but I find what I’ve recently immersed myself in from any artistic angle influences my thinking.

The scenery shots look amazing for the film. Did you have specific locations in mind when writing? When it came time to find the actual locations, did you have any difficulty gaining access to achieve the look you envisioned?

All the locations apart from the interior of Jack’s house in Dublin and the strip club, were places I knew and so when I wrote I had them based there, as Mountshannon is where I spent a lot of my summers with my family so I knew the area very well and the locals knew my mother so they were eager to help. The same in Dublin, the bars etc. were places of people I knew so locations were easy enough.

This is not the first time that you have directed a project that you have also acted in. How difficult is that process as compared to acting with another director?

Acting with another director is great because I don’t have any other elements to consider apart from just acting and it allows me to trust them more, as I understand that the director has a vision or an idea and if he/she needs me to do something it’s important to listen….but acting and directing and writing at the same time is a lot of hard work to be honest.

You have done previous acting alongside Tom Hopper, from this experience as well as your personal friendship, did you find the directing dynamic more or less difficult than you had anticipated with him?

It was as easy and as enjoyable as I expected because Tom is very talented and so laid back. He trusted me implicitly which made it so easy to direct him, and as an actor I gave him my entire trust, which is important, and I think the closeness we have comes across on screen. Tom wasn’t precious so he followed my vision but equally I trusted him with his character and let him create it, it was a very liberating and communicative experience.

You are also working with Jack Reynor in Cold, who starred in the critically acclaimed film What Richard Did, and has recently been cast in the new Transformers sequel. How did you two become acquainted?

We knew each other briefly, but then 18 months ago worked on Gary Shore‘s currently in post-production trailer adaptation of Cu Chulainn (I played Cu Chulainn and Jack was young Ferdia), and we simply clicked.

It seems the cast and crew really fell into place for the shoot, almost as if you were the Pied Piper. Apparently everyone loves you. Great networking or did they all owe you money?

I’m very lucky that I work with people with whom I get along with and who wanted to create something great, so it was a fun adventure when you all like the story and actively want to make something interesting. Because they were all my friends from previous films we got on very well and it was a blast, which is how it should be!

The music is something that seems to be an important quality to you in filmmaking. Can you touch on the role it plays in Cold and how you went about selecting musicians Kevin Whyms and the band Evora to be a part of it?

Evora are incredible and I know their sound so well that their music was always going to be involved and I listened to some of their demo stuff when I was writing. But Kevin Whyms is a musical genius and even though I had planned on having more of an Evora influence, once he began to write the score, he changed the tone of the film and crafted an amazing score that left an indelible mark on the mood of the film. The music is very much Kevin and his genius and it heavily affected the film.

This is the first time you’ve opened any of your projects up to crowd funding by using Indiegogo. What made you decide to go with this type of a program and what has been your experience with it? Would you consider using crowd funding again?

I would because I was surprised by the interest. I would do so only if I could use the money more effectively and shoot for longer. It was a great campaign as it opened myself and Tom’s eyes to the enthusiasm of the fans and let us engage which was a lot of fun and very humbling, and the money meant I wasn’t destitute, which I was about to be from planning to pay for it myself and take out a loan, but I could probably have planned it better if I’d know how much we could actually raise.

(The Indiegogo project raised $26,880.00 with a goal set of $20,000. Here is the Indiegogo appeal, which of course has concluded, but the video contains amazing stills of the film.)

What has surprised you the most out of the whole Cold experience and what are you most proud of?

The reaction of the fans, especially from the screening when people seemed to be genuinely affected. That’s why you make films, for people to enjoy them and to want to watch them. The sheer volume of questions and insightful observations about the film and the script has made me very proud and the excitement people have had towards it has made it a joy.

NBC has announced The Night Shift as part of its upcoming lineup, of which you are included in the ensemble cast. Anything you can share from this series or any other project you may have in the works?

It’s gonna be epic and a lot of bloody fun, just trust me, this is gonna be a gooooood show! Just follow my Instagram and you’ll see.

Will do! Ok, before we finish up, we’ve got one more little fun thing I like to call…

Fast Five – Questions for Fun

♦ Favorite food indulgence? Chocolate and smoothies

♦ Last song you listened to on your MP3 player? Miles Davis

♦ Favorite guilty pleasure? Is it weird if I say sex?

♦ Which Superhero would you choose to be?Batman

♦ If you could meet anyone dead or alive, who would it be? John Steinbeck, or if he turned out to be unfortunately boring then Alexander the Great